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Working with appropriated photographic imagery, K Young uses cutting as
subtraction. With the original context removed, the remnants are layered
and spliced into unplanned arrangements, suggesting new narratives that
visualise Young's unconscious thoughts, memories, and imagination. By
then re-photographing the reconstructed image, the fragments return to a
semblance of their original form, and so the circle is complete.
Believing
that the pose reveals more than the subject, Young often depicts
incomplete, faceless figures. These absent bodies appear as abstract
tracings, creating new visual spaces that heighten and exaggerate the
surrounding domestic scenes or landscapes that they inhabit. This
interplay creates a surreal moment between reality and the imagined,
disrupting the notion of truth.